Showing posts with label John Williams. Show all posts
Showing posts with label John Williams. Show all posts

Monday 10 February 2014

Best of the Best: The Star Wars Soundtrack Countdown


Star Wars Episodes I-VI
VII-IX Pending.
I’ve had very little time to focus on action figure reviews or photography over the last few weeks as my university course has grown increasingly hectic (it’s the final year rush!), but one thing that’s kept me going in that time has been Spotify, and in particular the fantastic work of John Williams. Whilst I’ve been happily listening to his scores for Harry Potter, Jurassic Park, and The Book Thief, it’s really the Star Wars soundtracks that made me fall in love with his music, over and above, say, the incredible themes for E.T. or Indiana Jones

The thing is that when you begin to consider the music as a separate entity to the films a very different order of preference emerges, and the prequels don’t seem quite as bad anymore… With that in mind, I proudly present:

The Star Wars Soundtrack Countdown


6. Return of the Jedi



Coming at the tail-end of the OT, the Return of the Jedi soundtrack has its moments, such as the soaring, operatic majesty of Luke and Leia or the haunting Emperor’s Throne Room. However the music rarely takes off, and never feels quite as vibrant as the earlier scores, due in large part to the production which is almost muted and flat by comparison to the earlier records. The Special Editions were the hardest on this film as well, as we were ‘treated’ to the appalling Jedi Rocks and inferior Victory Celebration tunes – celebrate the love indeed. Like the actual film, the Jedi soundtrack has some depth, but a lot of filler. Still worth a listen though!

5. Attack of the Clones



On a similar note (hah!), the Attack of the Clones soundtrack has some beautiful moments, such as Across the Stars and Yoda and the Younglings; but it still falls a bit flat in places – Zam the Assassin and the Chase Through Coruscant is as bitty and noisy as the horrible, horrible scene it scores, for example. However, tracks like Confrontation with Count Dooku and Finale really emphasises the intended mystery of the Sith, and on the whole it’s a collection of beautiful music with a building, tragic undertone that sells the story far better than the actual film. It’s an undeservedly elegant score.

4. Revenge of the Sith



Revenge of the Sith comes the closest out of the prequels to matching the quality and tone of the OT, and as such it’s far more in harmony with its score than the previous two episodes. I’m still confused as to why Battle of the Heroes was composed and used when Duel of the Fates would have been equally (if not more) appropriate, but it’s a fine tune in and of itself. We’re also introduced to the brilliant, alert General Grievous, which is a sharp continuation of themes from The Phantom Menace album. The soundtrack is punctuated with stabs of the Imperial March, and the closing A New Hope and End Credits is the perfect way to tie the two trilogies together. It might not have a beautiful high point like the ROTJ or AOTC albums, but as a whole this soundtrack is greater than the sum of its parts.

3. The Phantom Menace



The soundtrack that started the debate. In my factual and scientifically endorsed opinion this is only the fifth best Star Wars film, but the soundtrack runs the top two extremely close. This album was pretty much all I listened to over the summer of 1999, and it’s a score of unexpected majesty, beauty, and fun – waking up the neighbours by blaring out Augie’s Great Municipal Band and End Credits every morning certainly fulfilled my bizarre, Calvin-esque rebellious streak; Anakin’s Theme is one of my favourite tracks from the whole saga, and even Jar Jar Binks gets a bone with a playful, enigmatic introductory tune. That’s even before we consider the commercial impact of the frenetic Duel of the Fates, as exciting as the fight scenes it accompanies… Regardless of your take on the success of Lucas’ decision to show a more regal and refined galaxy, John Williams delivered the goods in spades.

2. The Empire Strikes Back



I struggle with the Empire soundtrack, because it’s simply amazing – from an objective viewpoint, it can be genuinely considered for the title of the greatest film soundtrack ever. However, and I’m being subjective here, I listen to it fairly frequently and find myself skipping the ends of tracks, before the Imperial March comes crashing in and destroys the mood the previous music created. I get it, how the never-too-distant fear of the Empire is perfect for the film, but from a selfish point of view I’d really enjoy being able to listen to the soul edifying grandeur of Yoda and the Force without having to worry about turning the volume down almost immediately afterwards.

But maybe I’m being too critical; after all, this album gave us The Asteroid Field, City in the Clouds, Han Solo and the Princess, Yoda’s Theme… And of course, the Imperial March. It’s a classic.

1. Star Wars



Now, I’m not the kind to think that Star Wars is the greatest achievement of the saga (however great an achievement it is), and I love the fact that we have two complete stories, those of both Luke and Anakin Skywalker. However the score is a huge part of why Star Wars exists as it does today, and Williams nailed it at the first time of asking. The Main Title is a cultural touchstone, enough said. Beyond that there are moments of beauty and adolescent melancholy galore with The Hologram/Binary Sunset, and Tales of a Jedi Knight/Learn About the Force, weighted against the drama and tension of Burning Homestead. The beauty reaches a high point with Princess Leia’s Theme. There’s the playfulness that sets this film apart from the others in The Dune Sea of Tatooine/Jawa Sandcrawler and Cantina Band, and the glorious, rousing The Throne Room/End Title caps both the listening and the viewing experience off perfectly.

The Star Wars soundtrack established the themes and pattern for the others to follow, and however great Williams’ achievements on the other five films, or any of his countless other classics, no other soundtrack surpasses his work on this.

John Williams is The Man.
The music of Star Wars is one of the elements of the franchise that I enjoy the most, and do so on an almost daily basis. Whatever order you may put these soundtracks in, we should all be grateful that such masterful music exists for our listening pleasure. All the same if you think I've got it the wrong way around, let me know in the comments!

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